Fifty Cents and a Dream

Young Booker T. Washington

This post joins other Nonfiction Monday blogs hosted today
by proseandkahn

and joins It's Monday!

What are you reading?

at Teacher Mentor Texts

Little, Brown Books
(pub. 12.4.2012) 48 pages 

A True Tale with A Cherry On Top

A uthor: Jabari Asim

     and Illustrator:  Bryan Collier

C haracter: Booker T. Washington

O verview from the jacket flap: 

      "Born into slavery, Booker T. Washington could only dream of learning to read and write. After emancipation, young Booker began a five-hundred-mile journey, mostly on foot, to Hampton Institute, taking his first of many steps toward a college degree. When he arrived, he had just fifty cents in his pocket and a dream about to come true. The former slave who once waited outside the schoolhouse would one day become a legendary educator of freedom.
        Acclaimed author Jabari Asim and celebrated artist Bryan Collier capture the hardship and the spirit of one of the most inspiring figures in American history, bringing to life Booker T. Washington's journey to learn, read, and realize a dream."

        

T antalizing taste: 

"Like any boy,
Booker longed to play, run, and jump
beneath the blue skies and bright sun.

Most of all, he longed to learn.
Booker dreamed
of making friends with words,
setting free the secrets 
that lived in books...

Trudging beneath the bleak skies
and bitter cold, he could have given up.
Then he imagined the library at Hampton,
magic and mystery lining its shelves.
From deep inside, he heard a voice
urging him to press on.
He listened, and dreamed."

                       

and something more: I thought Bryan Collier's illustration that portrays Booker T. Washington kneeling and praying is particularly powerful. The background image of trees is filled with images of slaves representing his former older neighbors who told him their stories. The power of dreams, words and communal stories!

Read More

The Extraordinary Music of Mr. Ives

The True Story of a
Famous American Composer

This post joins Nonfiction Monday

hosted today at Perogies & Gyoza

and also joins It's Monday!

What are you reading?

at Teacher Mentor Texts

Houghton Mifflin Harcourt

(pub. 10.9.2012) 32 pages 

A True Tale with A Cherry On Top

A uthor and illustrator: Joanne Stanbridge 

    

C haracter: Charles Ives

O verview from the publisher: 

   "The honk of a car horn. The busy clatter of footsteps. The blast of a ship's whistle. To some, these everyday sounds are noise, but to Charles Ives, a businessman by day and a composer at night, they are a symphony.

       After the attack and sinking of the Lusitania in 1915, all of New York falls silent, including Mr. Ives. But the sounds of hope wind their way into his heart, and he begins to shape them into music - extraordinary music inspired by a song overheard in the street on that dark day.

       With that spare text and tender illustrations, Joanne Stanbridge brings to life a shocking event in world history and reveals the beauty and power of artistic conviction." 

T antalizing taste: 

"All week long, Mr. Ives sits at his desk, adding and
subtracting numbers.

Now and then he has to stop working and let his
music come out. he lets it fly around the room, and
when it lands, he writes it down.

People don't listen to his music. They don't like it.
They don't understand it. They want familiar tunes
and beautiful harmonies - not songs that are as bold
as a city or as noisy as a traffic jam.

Mr. Ives writes his music down anyway. It lives inside
him like a friend, and he carries it with him wherever
he goes."

                       

and something more: Joanne Stanbridge explains, in the Author's Note, that the evening after Charles Ives learned of the torpedoing of the Lusitania, he "watched his fellow [train] commuters respond to the tragedy by [joining in the singing of his father's favorite hymn 'In the sweet bye and bye/ we shall meet on that beautiful shore']. He was deeply moved, and he shaped the experience into a musical piece that became the final movement of his Second Orchestral Set... finished in the autumn of 1915, and [performed for the first time] in 1967, thirteen years after Ives' death."
      Joanne Stanbridge shows the Lusitania tragedy with ten pages of powerful wordless illustrations. The next spread shows the "faces of the people on the train station... grim and sad, but the music [that they collectively sing] is like a promise."  The book ends with a quote from Aldous Huxley: "After silence, that which comes nearest to expressing the inexpressible is music."

Read More