Brick By Brick

This post joins other
Nonfiction Monday blogs
hosted today by Shelf-employed

and joins It's Monday!

What are you reading?

at Teacher Mentor Texts

Amistad (Harper Collins)

(pub. 12.26.12) 32 pages 

A True Tale with A Cherry On Top

A uthor: Charles R. Smith Jr.

     and Illustrator:  Floyd Cooper

C haracters: slaves

O verview from the publisher's website: 

      "The president of a new country needs a new home, so many hands work together as one.  Black hands, white hands, free hands, slave hands. In this powerful story of the building of the White House, Coretta Scott King Award winners Charles R. Smith Jr. and Floyd Cooper capture the emotion and toil that created this incredible structure, the home of our president. The White House was created by many hands, several of them slaves, who will be remembered throughout history for their extraordinary feat..."

T antalizing taste: 

"Slave hands build
and slave hands save
shillings to be free
and no longer a slave.

Slave hands count shillings
with worn fingertips
and purchase freedom
earned brick by brick."

and something more: The back matter of Brick by Brick provides additional powerful information about the building of the White House: "Slaves endured a snake-infested island and mosquito swarms to dig up the stones needed for the walls of the house. They endured hour after hour of cutting and trimming wood, often until their hands were bloodied or deformed. The work was hard on the body, especially the hands."   

Read More

Something To Prove

The Great Satchel Paige 
vs. Rookie Joe DiMaggio

This post joins other
Nonfiction Monday blogs
hosted today by Abby the Librarian

and joins It's Monday!

What are you reading?

at Teacher Mentor Texts

Carolrhoda Books (Lerner Publishing)
(pub. 1.1.2013) 32 pages 

A True Tale with A Cherry On Top

A uthor: Robert Skead

     and Illustrator:  Floyd Cooper

C haracters: Satchel Paige and Joe DiMaggio

O verview from the jacket flap: 

      "In 1936, the New York Yankees wanted to test a hot prospect named Joe DiMaggio to see if he was ready for the big leagues. They knew just the ballpayer to call - Satchel Paige, the best pitcher anywhere, black or white.
      For the game, Paige joined a group of amateur African American players, and they faced off against a team of white major leaguers plus young DiMaggio. The odds were stacked against the less-experienced black team. But Paige's skillful batting and amazing pitching - with his 'trouble ball' and 'bat dodger' - kept the game close.
      Would the rookie DiMaggio prove himself as a major league player?
      Or would Paige once again prove his greatness - and the injustice of segregated baseball?"

T antalizing taste: 

    "Satchel was the marvel of the country. He might even have been the greatest pitcher in the world. but because of the color of his skin, he was not permitted to play in the major leagues...
    Satchel decided to throw the nervous rookie [Joe DiMaggio] his 'whipsey dipsey do.'  He started the windmill delivery, kicked his leg high, and hurled the ball. Joe watched the pitch dip and dance - and he swung and missed. He took a deep breath, readied his bat, and steadied his legs for the next serving. 
      Time to cut loose my 'four-day creeper,' thought Satch.
       ... DiMaggio beamed. 'Now I know I can make it with the Yankees. I finally got a hit off Ol' Satch,' he said."

and something more: Just imagine what Satchel Paige could have accomplished if he had been given the same opportunity to join the big leagues as Joe DiMaggio?

Read More

Back of the Bus

This post is part of Nonfiction Monday 

hosted today by Wrapped in Foil

Philomel Books (Penguin)
(pub. 9.1.2011)  32 pages 

A True Tale with A Cherry On Top

A uthor: Aaron Reynolds
     and Illustrator:  Floyd Cooper

C haracter:   Rosa Parks

O verview from the publisher: 
         "It seems like any other winter day in Montgomery, Alabama. Mama and child are riding where they're supposed to - way in the back of the bus. The boy passes the time by watching his marble roll up and down the aisle with the motion of the bus, until from way up front a big commotion breaks out. He can't see what's going on, but he can see the policeman arrive outside and he can see Mama's chin grow strong. 'There you go, Rosa Parks," she says, "stirrin' up a nest of hornets. Tomorrow all this'll be forgot.' But they both know differently.

           With childlike words and powerful illustrations, Aaron Reynolds and Coretta Scott King medalist Floyd Cooper recount Rosa Parks' act of defiance through the eyes of a child - who will never forget."

T antalizing taste: 

     "I take out my marble
       and start to hide it in my squeezy-tight fist.
       But instead, I hold it up to the light
       right out in the open.
       That thing shines all brown and golden in the sunlight,
       like it's smilin', I think.
       'Cuz it ain't gotta hide no more."


and something more:   I've always guided my students to read the dedications in books, and Back of the Bus has a touching one from Aaron Reynolds: "To my parents, Paul and Barbara Reynolds, who taught me to believe in myself."

Read More