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Showing posts with label My Hands Sing the Blues. Show all posts
Showing posts with label My Hands Sing the Blues. Show all posts

Monday, February 6, 2012

The Boy Who Harnessed The Wind

This post is part of Nonfiction Monday 
hosted today by Capstone Connect

(pub. 1.19. 2012)  32 pages 

A True Tale with A Cherry On Top

A uthor: William Kamkwamba
                  and Bryan Mealer
     and Illustrator:  Elizabeth Zunon

C haracter: William Kamkwamba
 
O verview from the jacket flap: 

         "Heroes can be any age. When William Kamkwamba was fourteen years old, living in a drought-ravaged area of Malawi in Africa, he pursued a dream that brought electricity and running water to his desperately poor village.
        William had always been interested in how mechanical things work, and after poring over old science textbooks, painstakingly teaching himself English so that he could understand them, he became determined to build a windmill [that would bring] electricity to his home and eventually life-saving water to his village.
         Lyrically told and gloriously illustrated, Williams' story shows how - no matter how young you are or how huge the challenge - creativity, determination, and hard work can help save your world." 
 
T antalizing taste: 

     "He dreamed of building things and taking them apart, 
       like the trucks with bottle-cap wheels parked under his bed
       and pieces of radios that he'd crack open and wonder,
       If I can hear the music, then where is the band?"

and something more:   For the first book honoring Black History Month, I chose The Boy Who Harnessed the Wind because it's illustrated by Liz Zunon, the incredible artist who illustrated the book I wrote, My Hands Sing the Blues - Romare Bearden's Childhood Journey.  Liz again creates evocative art using oil paint and cut paper collages.  Although it's difficult to choose, one of my favorite illustrations in this book is the page that's similar to the cover.  But instead of showing the boy with eyes open on a bright day with the functioning windmill as on the cover, this illustration shares the moment when William, with his eyes gently closed, imagines the possibility of the swirling windmill "pulling electricity from the breeze and bringing light to the dark valley." So beautiful!
      Visit Liz's website to see a photo of children in Malawi, William's village, holding books sent to them by Pearson's We Give Books Campaign
       This past Saturday, Liz participated in the The 20th Annual African American Children's Book Fair in Philadelphia with a host of other amazing authors and illustrators. 

Monday, January 31, 2011

Dave the Potter -- Artist, Poet, Slave

* This post is part of the children's Nonfiction Monday
hosted today by The Miss Rumphius Effect

Little Brown and Company (pub. 9.7.2010)
40 pages  Grades K-4


A True Tale with A Cherry On Top 
               and Illustrator:  BRYAN COLLIER


C haracter: Dave, a South Carolina artist,
                     potter and poet who inscribed
                     his poems on the pots he created
                     even though it was illegal for slaves
                     to read or write

O verview from the jacket flap:                                           
"To us                                                                              
it is just dirt,
the ground we walk on...
But to Dave
it was clay,
the plain and basic stuff
upon which he formed a life
as a slave nearly 200 years ago.
      Dave was an extraordinary artist, poet, and potter who lived in South Carolina in the 1800s.  He combined his superb artistry with deeply observant poetry, carved on his pots, transcending the limitations he faced as a slave.  In this inspiring and lyrical portrayal... Dave's remarkable story [is] one rich in history, hope, and long-lasting beauty."

T antalizing taste:
"Each one began
out of clouds of dust,
clotted clumps of clay
ground in the pug mill and carried,
wheelbarrow after wheelbarrow,
to Dave's spinning potter's wheel."

and something more:  Bravo!  Just two weeks ago, it was announced that the children's picture book biography, DAVE THE POTTER, was named a Caldecott Honor Book, and Bryan Collier will be presented with the Coretta Scott King Book Award recognizing an African American illustrator of outstanding books for children and young adults. "Bryan Collier has crafted a stunning visual tribute to the life of an unsung American artist," said Jonda C. McNair, award jury chair.
      Bryan Collier's incredible watercolor and collage illustrations, with powerful words and images of people woven into the backgrounds, remind me of the art of Romare Bearden. After being captivated by his work shown at an exhibit at SFMOMA curated by Ruth Fine of The National Gallery, I wrote a picture book about him (MY HANDS SING THE BLUES illustrated by Elizabeth Zunon, Marshall Cavendish Childrens, Fall 2011).  When I toured school groups at this exhibit, children were mesmerized by the amazing collages and always found a sense of connection to the stories and people in Romare Bearden's art.  
     Bryan Collier's biography says that "he directs mural programs throughout the city for any child who wants to paint."  What a wonderful gift he is sharing! After being Program Director for 12 years, he still volunteers with the Harlem Horizon Studio and Harlem Hospital Center with a program that provides working space and materials for self-taught artists in the community. 
     As he explains, "It gives the community, the schools, the kids, and the parents the opportunity to come together for a very positive uplifting cause - the building and re-building of self-esteem, teaching the appreciation of art, and keeping the kids connected and involved and away from negative influences."
     Bryan's Collier's dedication in DAVE THE POTTER says "I dedicate this book to all artists, and everyone who loves picture books.  Because this story is really about the power of the human spirit, artistry, and truth, and that cannot be silenced by bondage of any kind."
     The power of words and art is embodied in Dave's poetry and the art of his pottery, and the poetry and illustrations of DAVE THE POTTER.